Have anyone tried these three mouthpieces before?
I used a Hammond 12L before,I think the sound is bright, want something bigger and little darker and more open, don’t know which one to chose....
Hammond 11ML ,11L,11MXL
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- BGuttman
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Re: Hammond 11ML ,11L,11MXL
I have an 11ML. I'm a Wick man (4BL, 4BS) and it's not quite my cup of tea.
I think if you like the 12L, the 11L should hit the spot. For darker, 11MXL. Warning: deep mouthpices make you work harder for high range.
I think if you like the 12L, the 11L should hit the spot. For darker, 11MXL. Warning: deep mouthpices make you work harder for high range.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
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Re: Hammond 11ML ,11L,11MXL
Thank you! I used a wick classical 5AL for a long time before,love that free blow feeling and the flat rim(may be a little rounder will be better)
Does the Hammond 11ML blow as free as the Wick ?
- BGuttman
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Re: Hammond 11ML ,11L,11MXL
Mine is a large shank. Blows free. Not as rich in tone as my Wick. Semi-flat rim is just a little rounder than a Wick.
For some reason, Drum Corps seem to like these mouthpieces.
For some reason, Drum Corps seem to like these mouthpieces.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
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Re: Hammond 11ML ,11L,11MXL
The order of the mouthpieces seem to have been mixed up
Hammond large shank mouthpieces go from M, ML to L and XL. Small shanks can be XS, S, M, ML. Now the Hammond site says L is only large shank but I have both 12L and 13L small shank and even a 12XL small shank. Maybe the deeper small shank mouthpieces were not that popular so they were removed from the list. The MXL is a special order and is a modified ML cup. 12 is close to a Bach 5. The large M has the most shallow large shank cup and the XL has the deepest cup and that one is intended for euphonium. After a lot of experiments I've found the 12 is the best match for me.
I have experimented with 11M, 11ML and 11L too. I have never played a 11MXL but in allegory with the others a 11MXL is a modified 11ML. Size 11 makes me tired. It's too wide rim for my taste. The 11 is close to a Bach 4. You need a very strong emboshure to use a 11L on a heavy first part. I would not do that.
All Hammond mouthpieces have comfortable rims. I could use a 11L on a 2:nd or 3:rd in a ten part brass ensamble, 2:nd in a symphony orchestra on heavy work where you need a strong bottom or a 4:th part if you need to cover a bass trombone part with your lagre bore tenor and need more power down there.
Of course you could use a 11L for solo work too. It could help to produce an dark sound in the whole register, with a good bottom. If you are very strong you can make colors in the high register too, but it takes heavy work. I think a bigger chance with a mouthpiece like that is the sound becomes unfocused and euphonium-like and makes you tired.
/Tom
Hammond large shank mouthpieces go from M, ML to L and XL. Small shanks can be XS, S, M, ML. Now the Hammond site says L is only large shank but I have both 12L and 13L small shank and even a 12XL small shank. Maybe the deeper small shank mouthpieces were not that popular so they were removed from the list. The MXL is a special order and is a modified ML cup. 12 is close to a Bach 5. The large M has the most shallow large shank cup and the XL has the deepest cup and that one is intended for euphonium. After a lot of experiments I've found the 12 is the best match for me.
I have experimented with 11M, 11ML and 11L too. I have never played a 11MXL but in allegory with the others a 11MXL is a modified 11ML. Size 11 makes me tired. It's too wide rim for my taste. The 11 is close to a Bach 4. You need a very strong emboshure to use a 11L on a heavy first part. I would not do that.
All Hammond mouthpieces have comfortable rims. I could use a 11L on a 2:nd or 3:rd in a ten part brass ensamble, 2:nd in a symphony orchestra on heavy work where you need a strong bottom or a 4:th part if you need to cover a bass trombone part with your lagre bore tenor and need more power down there.
Of course you could use a 11L for solo work too. It could help to produce an dark sound in the whole register, with a good bottom. If you are very strong you can make colors in the high register too, but it takes heavy work. I think a bigger chance with a mouthpiece like that is the sound becomes unfocused and euphonium-like and makes you tired.
/Tom