TromboneChat

I`ve been a long time Bach player (2 - 12`s, 36, 36B, 42BO & 50B3). Lately I`ve been listening to a lot of John Allred and Pre- XO Fedchock. That 2B sound has gotten in my head. SOOOOOOOO I thought Id give it a try. In years past 2B`s NEVER worked for me. But my playing has changed.
I have 2 friends that have a 2B that they let me borrow. 1 is Brass Bell and the other is a silver sonic.
Both are great horns and I`m finding I`m really liking the 2B.
For you 2B players out there, What version do you prefer? Brass Bell or Silver?
Neither want to sell, but The Silver Sonic is easier to play and has a darker sound but both will BARK when neeeded.

Not a 2b player, but I'm a 3b player. I definitely prefer the a brass bell over the silver. I've have minimal experience with silver bells, but when I have played them (in practice rooms and arenas) they seem too heavy and my sound doesn't push the way I'm used to. It felt resistant and held back.

I'm also a player that prefer gold bells when there's a chance to play them. Every Gold Bell Bach I've played has always been better for me than the yellow brass. I want to say I've played a Yamaha gold bell too, but I can't remember. I've played a lot of different horns, but I've always ended up coming back to ol' faithful, my King 3b.

But when I was last at my repair tech we were talking about boutique horns and it might be time I try Greenhouse, Edwards and M&W. One of these days....

It should be noted that before he switched to XO, John Fedchock did most of his work on the .500" 2B Plus with a gold brass bell. That was his setup when I saw him live in '09. Scintillating yet warm sound.

The standard 2B has been a standard for good reason, but don't count out the plus.

While I love my 3B Silversonic, there are times when a good old 2B in yellow brass is flat out easier to play upstairs. I love a good 2B! Do it. In an ideal world I'd split it that way -- 3B SS, 2B regular.

*Edit sp.

I tried several 2b instruments back to back. A regular 2b, a jiggs whigham, and a silver sonic. I found the silver sonic just spoke easier, it was much more responsive but could take much more air before it started to get bright and brassy. I thought it sounded warmer too. I don’t regret my choice, I’m glad I chose it over the others, which were both great instruments.

I've tried countless 2bs and never could relate to the dual bore. I like the Jiggs model a lot, then I got a a King liberty trombone. It was only made for a short time in the late 1930s before the 2b came out. It's .481 both tubes but doesn't play small. Similar feel to the jiggs but the slide is heavier which I like.

I have several small bore King trombones. A brass King 3B with both slide and valves, a 3B with Bb/F, a 3B Silver Sonic, a regular brass dual bore 2B and also a Silvertone 2B. All are good, but even though I have these and a ton of other trombones I come back to my brass King 2B + with a Bach 11C each time when I'm on lead. Before I became a collector I played a King 3B with a Benge 12C as my main setup for jazz, lots of years. The last of those years I had the option to buy a Bach Mnt Vernon 12C mouthpiece so I switched to that, I still like it.

Then I sold that King 3B and bought a King 2B +. I bought it new in 2008. It was made in 2002 so was sold at a good price. I had some problems with the slide in 2014 and choose to buy a new horn, a Kanstul 1555 - a kind of Conn 4H inspiration with .500 bore. That too was a good horn but a bit weak compared to the 2B +. Then after a good clean the King 2B + was playable again so I could switch back.

The small tenors (.500) I play now are a brass King 2B +, Gerdt 216 (in Johan Stengård Jazz Big Band) and Gerdt 216 Bb/G (brass quartet). Nothing beats the 2B+ with a Bach 11C on lead.

/Tom

Most 2B players I know use a Silver Sonic/Silvertone, while most 3B players I know (including myself) use yellow. Gotta be something to that.