TromboneChat

Gabe posted this comment in the Urbie thread, and I didn't want to derail it.

GabrielRice wrote: ↑Thu Jan 04, 2024 8:06 am An observation and a story:

I don't have perfect pitch, but usually when I listen to trombone recordings I can pretty much tell within a half step or so what key they are playing in. I think I hear the register, partial breaks, etc. Whenever I check in on an Urbie Green recording I'm way off; he's often about a fourth higher than I thought.

I've noticed that with a couple other players... I can usually tell what note someone is playing by looking at the slide and listening. It isn't that hard, after all. I can hear timbre changes with registers- 6th and 7th partials, anyone? But Sasha Romero totally disrupts this ability. I watched her play online of course, but also in recital at ITF and I just could NOT tell where she was on the horn at any given time. A perfectly colorful, all encompassing sound. Not like Urbie, obviously, but with that same ability.

I listened to some other fantastic recitals at the festival, and no one else did the same thing. Alessi, Gilkes, no one.

Anyone else have examples?

For Alessi, there is one recording of him playing the T-Bone concerto where the two high F's sound like they are in the middle of his register. I'm not sure if that's what you're talking about (if you know the piece, you know exactly the note he is playing), but nobody's high F sounds like that. Like it's a middle C.

Yes, I have that same recording and it's crazy! That's exactly what I mean too.

I first noticed it 7-8 years ago when I started transcribing my fav trombone player's solos. On ear, I mistook high Bb's for F's and high D's for high Bb's. That's when I coined the term "fully-saturated" sound to justify what I heard vs what was.

The Tommy Dorseys and the Joe Alessis out there had/have it. The super-high Bb's that Urbie played sounded like real notes. My instructor also had that gift and demonstrated what most trombone players sound like at and above high D vs what he learned how to sound like. Quite a difference.

Sasha Romero is absolutely amazing What a sound, what a style! Thank you Burgerbob, you made my day

Oh, boy, this is something I fantasize about getting, yet I've never heard anyone even mention it before. I've always wanted to have, as Harry said, "high F's that sound like they are in the middle register." Once, when I brought it up, someone asked why, saying, "Why would you want high Fs to sound less impressive?" Really? I am more impressed when I hear that.

In another thread I posted about wanting to increase my range to some ridiculous place. This is exactly why. I'd love to get, as Aidan said, "that perfectly colorful, all encompassing sound" in the upper register. In the couple of tunes I posted here a few months ago, a couple folks told tell me the high Fs don't sound like high Fs, and that thrilled me.

Thanks for bringing this up, Aiden. I'd love to hear more examples. Does anyone have a link to Sasha Romero playing like that?

tbdana wrote: ↑Thu Sep 26, 2024 8:10 am Does anyone have a link to Sasha Romero playing like that?

Aidan mentioned the ITF recital, presumably this one from ITF 2023, piece called Identity:
https://tinyurl.com/yvx4eznk

Awesome, thanks! I'ma go listen to it now.

tbdana wrote: ↑Thu Sep 26, 2024 8:10 am Oh, boy, this is something I fantasize about getting, yet I've never heard anyone even mention it before. I've always wanted to have, as Harry said, "high F's that sound like they are in the middle register." Once, when I brought it up, someone asked why, saying, "Why would you want high Fs to sound less impressive?" Really? I am more impressed when I hear that.

In another thread I posted about wanting to increase my range to some ridiculous place. This is exactly why. I'd love to get, as Aidan said, "that perfectly colorful, all encompassing sound" in the upper register. In the couple of tunes I posted here a few months ago, a couple folks told tell me the high Fs don't sound like high Fs, and that thrilled me.

I don't think Alessi can play much higher than G5, FWIW! It might be the case for some, I don't know, but at least in his case being able to play F6 is not why his F5 sounds like that (to my knowledge). His F5 is just that good.