Personal problem
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Personal problem
good, first thing, sorry for my English that is not very good. I come to tell you a problem that has been happening to me, and that is when I play, the upper part of my lips is often very marked, this causes me little resistance and dont permit me to play the high register well.
I think it could be caused because my mouthpiece is big (schilke 52)and my lips are no ready for that mouthpiece. would you recommend me to try a little smaller one like 51 5g or D5.1? or do you think that the problem is because I push the mouthpiece too much? Its could also be both.
Thanks
I think it could be caused because my mouthpiece is big (schilke 52)and my lips are no ready for that mouthpiece. would you recommend me to try a little smaller one like 51 5g or D5.1? or do you think that the problem is because I push the mouthpiece too much? Its could also be both.
Thanks
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Re: Personal problem
Marking of the lips by either color or indentation is a sure sign of too much pressure. You should only use enough pressure to prevent air from leaking out between your lips and the mouthpiece. To go from a lower note to a higher note think the syllable "EEEE" as this will tighten the corners of your lips. You should also work on pinching your lips together. Another drill you can do is place a large coin betwen your lips and raise the end farthest from your face upward by pinching your lips. Best wishes!
Dave
2020ish? Shires Q30GR with 2CL
1982 King 607F with 13CL
Yamaha 421G Bass with Christian Lindberg 2CL / Bach 1 1/2G
Bach Soloist with 13CL
1967 Olds Ambassador with 10CL
1957 Besson 10-10
Jean Baptiste EUPCOMS with Stork 4
2020ish? Shires Q30GR with 2CL
1982 King 607F with 13CL
Yamaha 421G Bass with Christian Lindberg 2CL / Bach 1 1/2G
Bach Soloist with 13CL
1967 Olds Ambassador with 10CL
1957 Besson 10-10
Jean Baptiste EUPCOMS with Stork 4
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Re: Personal problem
Heavy marks on your upper lip is probably the cause of too much pressure. It can happen when playing loud, or playing for a long time. You might want to look for a mouthpiece with a wider rim, to distribute the pressure over more area. Back off on the pressure if you can. I don't think the size of mouthpiece will cause those marks, but the narrow rim or a very rounded rim might. A rim with a very sharp inner edge might also do the same. But before you change your mouthpiece, I'd see if you can back off the pressure.
I have a semi-permanent mark on my upper lip, a little off-center. I don't play as much as I used to play, but the mark remains. It's not an unheard of thing to see that ring even if you're playing correctly.
I have a semi-permanent mark on my upper lip, a little off-center. I don't play as much as I used to play, but the mark remains. It's not an unheard of thing to see that ring even if you're playing correctly.
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Re: Personal problem
Thanks for the reply, only one question, what mouthpieces do you recommend with a wider rim?hyperbolica wrote: ↑Tue Apr 02, 2019 11:34 am Heavy marks on your upper lip is probably the cause of too much pressure. It can happen when playing loud, or playing for a long time. You might want to look for a mouthpiece with a wider rim, to distribute the pressure over more area. Back off on the pressure if you can. I don't think the size of mouthpiece will cause those marks, but the narrow rim or a very rounded rim might. A rim with a very sharp inner edge might also do the same. But before you change your mouthpiece, I'd see if you can back off the pressure.
I have a semi-permanent mark on my upper lip, a little off-center. I don't play as much as I used to play, but the mark remains. It's not an unheard of thing to see that ring even if you're playing correctly.
- Doug Elliott
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Re: Personal problem
I would be able to help you if I can see you play. Do you use Skype, or can you post a video?
"I know a thing or two because I've seen a thing or two."
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Re: Personal problem
Talk to Doug.
- harrisonreed
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Re: Personal problem
Marks on your lip aren't necessarily a bad thing - most players get a ring around their lips for a while after they are done playing, and many pros have permanent marks on their face from decades of playing. Pain and fatigue are problems though. So is limited range.
I myself have a vey thin permanent white ring on my upper lip, and a track mark, like a "V", on my lower lip caused by 20 years of vibrato and 15 years of lip trills. And that's on the low end of the scale compared to many here, time wise.
I myself have a vey thin permanent white ring on my upper lip, and a track mark, like a "V", on my lower lip caused by 20 years of vibrato and 15 years of lip trills. And that's on the low end of the scale compared to many here, time wise.
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Re: Personal problem
If possible talk and do a Skype session with Doug. He will help you find out if you are using too much pressure. He is the THE expert in the field. Good luck!
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Re: Personal problem
Excess pressure is a situation that most brass players spend most of their lives fighting. Anything you can do to successfully overcome this tendency will produce positive results over time. Good habits are sometimes hard to develop and maintain, but the results are worth the effort.
Current instruments:
Olds Studio trombone, 3 trumpets, 1 flugelhorn, 1 cornet, 1 shofar, 1 keyboard
Previous trombones:
Selmer Bundy, Marceau
Olds Studio trombone, 3 trumpets, 1 flugelhorn, 1 cornet, 1 shofar, 1 keyboard
Previous trombones:
Selmer Bundy, Marceau
- Doug Elliott
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Re: Personal problem
That is because they never figure out that pressure isn't the problem.
Excess pressure is a symptom of something else. Until you fix that "something else" you'll keep fighting a symptom and never fix the problem.
"I know a thing or two because I've seen a thing or two."
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Re: Personal problem
I used to play a schilke 52. It felt good at first, but then I realized it's not a good mouthpiece. A lot of work for not a very good sound.
Brad Close Brass Instruments - brassmedic.com
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Re: Personal problem
Quote Doug Elliott..."That is because they never figure out that pressure isn't the problem.
Excess pressure is a symptom of something else. Until you fix that "something else" you'll keep fighting a symptom and never fix the problem."
Thank you Doug. Excellent comment!
M
Excess pressure is a symptom of something else. Until you fix that "something else" you'll keep fighting a symptom and never fix the problem."
Thank you Doug. Excellent comment!
M
Matthew Walker
Owner/Craftsman, M&W Custom Trombones, LLC, Jackson, Wisconsin.
Former Bass Trombonist, Opera Australia, 1991-2006
Owner/Craftsman, M&W Custom Trombones, LLC, Jackson, Wisconsin.
Former Bass Trombonist, Opera Australia, 1991-2006
- harrisonreed
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Re: Personal problem
Yeah, Doug gets to the root of the issue with that quote.
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Re: Personal problem
Hi Doug...I found this older post on lip pressure and am intrigued by your answer. I am a player who has always had a red mark on my lips regardless of whether I play low or high notes. Before I go into too much detail (because I'm not sure if you see this post) what sort of 'something else' could be causing a problem? eg. incorrectly holding the trombone? etc.Doug Elliott wrote: ↑Wed Apr 03, 2019 12:53 amThat is because they never figure out that pressure isn't the problem.
Excess pressure is a symptom of something else. Until you fix that "something else" you'll keep fighting a symptom and never fix the problem.
I'm looking forward to hearing back from you so I can solve my problem and figure out if I really am using excessive pressure or if it's something else.
Thank you!
- Doug Elliott
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Re: Personal problem
There are several mechanical issues that I test and diagnose in lessons... Impossible without seeing you play.
I do Skype lessons.
Some people get a red ring even without much pressure.
I do Skype lessons.
Some people get a red ring even without much pressure.
"I know a thing or two because I've seen a thing or two."
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Re: Personal problem
I never get tired nowdays even if I play heavy trombone parts, but I get a mark (ring) on my upper lip. When I was young a few hours of playing made my lips to swell after, and that made it necessary to warm down after a session too, not just to warm up. Today I never warm down and my warmup is just a couple of minutes. What's changed is I'm a lot better player with much better emboushure today.
The mark is not the problem, but it could be a symptom of a problem.
/Tom
The mark is not the problem, but it could be a symptom of a problem.
/Tom
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Re: Personal problem
Thanks for digging this up! And thanks Doug for the food for thoughtChicaBone wrote: ↑Sat Oct 21, 2023 1:05 pmHi Doug...I found this older post on lip pressure and am intrigued by your answer. I am a player who has always had a red mark on my lips regardless of whether I play low or high notes. Before I go into too much detail (because I'm not sure if you see this post) what sort of 'something else' could be causing a problem? eg. incorrectly holding the trombone? etc.Doug Elliott wrote: ↑Wed Apr 03, 2019 12:53 am
That is because they never figure out that pressure isn't the problem.
Excess pressure is a symptom of something else. Until you fix that "something else" you'll keep fighting a symptom and never fix the problem.
I'm looking forward to hearing back from you so I can solve my problem and figure out if I really am using excessive pressure or if it's something else.
Thank you!
EZ
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Re: Personal problem
DOUG! DOUG! DOUG! DOUG! DOUG!
I have a boatload of troubles. He has helped me more than most any three teachers combined.
I have a boatload of troubles. He has helped me more than most any three teachers combined.
Edwards Sterling bell 525/547
Edwards brass bell 547/562
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Markus Leuchter Alto Trombone
Bass Bach 50 Bb/F/C dependent.
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Edwards brass bell 547/562
Edwards Jazz w/ Ab valve 500"/.508"
Markus Leuchter Alto Trombone
Bass Bach 50 Bb/F/C dependent.
Cerveny oval euphonium
Full list in profile