Live and learn ...
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Live and learn ...
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Last edited by musicofnote on Sun Jun 30, 2024 1:54 am, edited 1 time in total.
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Re: Live and learn ...
Totally agree. Objective reality in a subjective pursuit is so often disappointing. I've made similar recordings comparing horns, and never proved what I expected to prove.
- BGuttman
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Re: Live and learn ...
On a similar vein, just changing mouthpieces is not going to instantly solve problems. If you sound like a wounded moose on your current mouthpiece, switching to [insert Trombone God here] mouthpiece won't make you play any better. Practicing your butt off will make you play better. Of course if the mouthpiece doesn't "fit", you can't put in the time.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
- robcat2075
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Re: Live and learn ...
I am unsurprised by this result.
I can foresee a dozen objections true believers would advance but after we eliminated each one the end result would probably still be the same and your conclusion the correct one.
For a set of mouthpieces you are comfortable playing, the moment-to-moment variation in human performance is probably greater than whatever variation the mouthpiece introduces.
I also suspect the nature of sound waves in air is to lose detail with distance. Maybe the differences you hear as a player really are there but get averaged out beyond a few feet from the horn.
I can foresee a dozen objections true believers would advance but after we eliminated each one the end result would probably still be the same and your conclusion the correct one.
For a set of mouthpieces you are comfortable playing, the moment-to-moment variation in human performance is probably greater than whatever variation the mouthpiece introduces.
I also suspect the nature of sound waves in air is to lose detail with distance. Maybe the differences you hear as a player really are there but get averaged out beyond a few feet from the horn.
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Re: Live and learn ...
The first time I heard a recording of my voice played back to me, my reaction was, "That's not the way I really sound." I had the same reaction when my first trombone recordings were played back to me. In both instances, others listening to the playbacks assured me that the recordings were accurate reproductions of my sound.
For some reason, my brain seems to perceive the sounds it detects from my vocal chords or from a horn pressed against my face differently from the recorded sounds that align with what others hear. No clue why.
For some reason, my brain seems to perceive the sounds it detects from my vocal chords or from a horn pressed against my face differently from the recorded sounds that align with what others hear. No clue why.
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Re: Live and learn ...
Part of the way we hear ourselves is bone conduction inside our own heads.CharlieB wrote: ↑Thu Aug 25, 2022 8:11 am The first time I heard a recording of my voice played back to me, my reaction was, "That's not the way I really sound." I had the same reaction when my first trombone recordings were played back to me. In both instances, others listening to the playbacks assured me that the recordings were accurate reproductions of my sound.
For some reason, my brain seems to perceive the sounds it detects from my vocal chords or from a horn pressed against my face differently from the recorded sounds that align with what others hear. No clue why.
Gabe Rice
Faculty
Boston University School of Music
Kinhaven Music School Senior Session
Bass Trombonist
Rhode Island Philharmonic Orchestra
Vermont Symphony Orchestra
Faculty
Boston University School of Music
Kinhaven Music School Senior Session
Bass Trombonist
Rhode Island Philharmonic Orchestra
Vermont Symphony Orchestra
- Matt K
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Re: Live and learn ...
I think a lot of things that we think change our sound do... but indirectly. If something is "easy" for you to play, you'll likely play more musically. I'm of the opinion that a lot of the "direct" things that are changed are perceptual because of the vibrations that our body picks up on. So things like weights on valve covers, oversleeves, mouthpiece weight, possibly material of the instrument... it touches our body and we get some degree of sympathetic vibrations. That's the bone conduction thing that Gabriel was talking about. That would also explain why the farther away from the mouthpiece, the less effect something seems to have on me.
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Re: Live and learn ...
AHA !GabrielRice wrote: ↑Thu Aug 25, 2022 8:34 am
Part of the way we hear ourselves is bone conduction inside our own heads.
Thanks Gabe.
So, playing trombone vibrates one's skull.
That could explain a whole lotta stuff. ) ) )
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Re: Live and learn ...
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Last edited by afugate on Fri Aug 26, 2022 6:02 am, edited 1 time in total.
- Doug Elliott
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Re: Live and learn ...
Also there's some cancellation at the eardrum between the sound inside your mouth and what comes back in through your ears.
"I know a thing or two because I've seen a thing or two."
- paulyg
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Re: Live and learn ...
Yup, phase lagged signals acting like a really crappy feedback cancelling mic.
Paul Gilles
Aerospace Engineer & Trombone Player
Aerospace Engineer & Trombone Player
- robcat2075
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Re: Live and learn ...
Variation to try... sing "mmmmmmm..." then use the palm of your hand to seal off your outer ear.
The "mmmmmm" will sound louder.
The "mmmmmm" will sound louder.
- soseggnchips
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Re: Live and learn ...
I find that a problem with earplugs: they do a good job reducing the volume of the other instruments, but as soon as I start playing all I can hear is me! I try to avoid using them wherever possible.
On the original point about mouthpieces... I do think a lot of the perceived difference between gear is to do with feedback and comfort rather than an actual change in the sound out front. That's not to say don't be discriminating about your gear; being comfortable and having the right feedback are really important... but don't be surprised if no-one else notices.
On the original point about mouthpieces... I do think a lot of the perceived difference between gear is to do with feedback and comfort rather than an actual change in the sound out front. That's not to say don't be discriminating about your gear; being comfortable and having the right feedback are really important... but don't be surprised if no-one else notices.
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Re: Live and learn ...
CharlieB wrote: ↑Thu Aug 25, 2022 8:11 am The first time I heard a recording of my voice played back to me, my reaction was, "That's not the way I really sound." I had the same reaction when my first trombone recordings were played back to me. In both instances, others listening to the playbacks assured me that the recordings were accurate reproductions of my sound.
For some reason, my brain seems to perceive the sounds it detects from my vocal chords or from a horn pressed against my face differently from the recorded sounds that align with what others hear. No clue why.
Yes, we ourselves are the only ones who never will hear our true own sound. When we hear it played back through speakers it is processed, but that sound is more close to the real sound we produce compared to the mix of sound that travels too our ears through bone and from the room.
/Tom
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Re: Live and learn ...
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