Historically Un-informed Performance
- robcat2075
- Posts: 1340
- Joined: Mon Sep 03, 2018 2:58 pm
Historically Un-informed Performance
I've been perusing old orchestral programs to discover forgotten repertoire of the past.
This one, however, would still align with today's taste...
But isn't it... odd... that they don't mention the soloist for the prominent flute part in the Bach?
Check out this program note about the instrumentation and the accompanying foot note...
Eight. And with a fake harpsichord.
.
This one, however, would still align with today's taste...
But isn't it... odd... that they don't mention the soloist for the prominent flute part in the Bach?
Check out this program note about the instrumentation and the accompanying foot note...
Eight. And with a fake harpsichord.
.
You do not have the required permissions to view the files attached to this post.
-
- Posts: 3985
- Joined: Fri Mar 23, 2018 9:54 pm
- Location: California
Re: Historically Un-informed Performance
8 flutes! WOW.
Wonder what the dates * 1645-1704 referred to? Long before any of the compositions on this program.
I just happened to listen to a (more historically-informed) performance of the Bach 2nd Orchestral Suite while driving home yesterday. What delightful music! As soon as I returned home, I pulled out some CDs and listened to yet more Bach.
Wonder what the dates * 1645-1704 referred to? Long before any of the compositions on this program.
I just happened to listen to a (more historically-informed) performance of the Bach 2nd Orchestral Suite while driving home yesterday. What delightful music! As soon as I returned home, I pulled out some CDs and listened to yet more Bach.
- robcat2075
- Posts: 1340
- Joined: Mon Sep 03, 2018 2:58 pm
Re: Historically Un-informed Performance
A reference to another Bach-era composer, farther up the page, that I didn't include
- ithinknot
- Posts: 1111
- Joined: Fri Jul 24, 2020 3:40 pm
Re: Historically Un-informed Performance
Mengelberg's 1939 Matthew Passion recording is pretty extraordinary, and rather devastating if approached sympathetically. Of course it's huge and slow, but there's an echt-Romantic concern for melody and (almost) lightness of touch to the unbelievable tempo fluctuations and liberties that feels very C19th.
A lot of pre-HIP mid-C20th readings (Klemperer, et al) come across as pure stylus turgidus now, but this is something else, reaching back at least a half century earlier (not only because M had begun the Concertgebouw's Palm Sunday Matthew Passion tradition in 1899).
A lot of pre-HIP mid-C20th readings (Klemperer, et al) come across as pure stylus turgidus now, but this is something else, reaching back at least a half century earlier (not only because M had begun the Concertgebouw's Palm Sunday Matthew Passion tradition in 1899).
-
- Posts: 3985
- Joined: Fri Mar 23, 2018 9:54 pm
- Location: California
Re: Historically Un-informed Performance
My standard of excellence for Bach has become the wonderful YouTube recordings of the Netherlands Bach Society. Uniformly wonderful to my ears. I'd love to attend a live performance!
- LeTromboniste
- Posts: 1189
- Joined: Wed Apr 11, 2018 7:22 am
- Location: Sion, CH
Re: Historically Un-informed Performance
I'm guessing Charpentier (now usually 1643, but used to be given as circa 1645), or Georg Christoph Strattner, who was one of Bach's predecessor in Weimar.
Yeah, 8 flutes is pretty wild!
Maximilien Brisson
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
- robcat2075
- Posts: 1340
- Joined: Mon Sep 03, 2018 2:58 pm
Re: Historically Un-informed Performance
You may peruse the complete program notes hereLeTromboniste wrote: ↑Fri Apr 01, 2022 6:44 pmI'm guessing Charpentier (now usually 1643, but used to be given as circa 1645), or Georg Christoph Strattner, who was one of Bach's predecessor in Weimar.
Yeah, 8 flutes is pretty wild!
https://archives.nyphil.org/index.php/a ... 1/mode/2up
Also of interest: the extensive explanation of Heldenleben
-
- Posts: 3985
- Joined: Fri Mar 23, 2018 9:54 pm
- Location: California
Re: Historically Un-informed Performance
Georg Muffat (1645-1704) !
- LeTromboniste
- Posts: 1189
- Joined: Wed Apr 11, 2018 7:22 am
- Location: Sion, CH
Re: Historically Un-informed Performance
Probably not a "fake" harpsichord but an early 20th century one, build using a piano steel frame, often with pedals. Very different from historical instruments of course, but the norm until about the middle of the century.
Maximilien Brisson
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
- robcat2075
- Posts: 1340
- Joined: Mon Sep 03, 2018 2:58 pm
Re: Historically Un-informed Performance
I heard he was just putting playing cards in the spokes.
- ithinknot
- Posts: 1111
- Joined: Fri Jul 24, 2020 3:40 pm
Re: Historically Un-informed Performance
No, given that the programme notes above mention a modified piano. And the 1939 MP pretty clearly uses the thumb-tack-Steinway (like some 50s Gould recordings) - it sounds nothing like a 30s Neupert or Pleyel, and the hairpin dynamic possibilities are very much in evidence.LeTromboniste wrote: ↑Sat Apr 02, 2022 3:26 am Probably not a "fake" harpsichord but an early 20th century one, build using a piano steel frame, often with pedals. Very different from historical instruments of course, but the norm until about the middle of the century.
Basically, yes..!robcat2075 wrote: ↑Sat Apr 02, 2022 7:59 am I heard he was just putting playing cards in the spokes.
- robcat2075
- Posts: 1340
- Joined: Mon Sep 03, 2018 2:58 pm
Re: Historically Un-informed Performance
Here is the oldest recording of the #2 I find on archive .org
https://archive.org/details/l-1557-8-ba ... in-b-minor
An acoustic recording from 1924... only one flute! No harpsichord.
Hamilton Harty conducts "The Symphony Orchestra" with Robert Murchie, Flute.
To my ear, it sounds slow and sloppy and shriekingly out of tune.
.
https://archive.org/details/l-1557-8-ba ... in-b-minor
An acoustic recording from 1924... only one flute! No harpsichord.
Hamilton Harty conducts "The Symphony Orchestra" with Robert Murchie, Flute.
To my ear, it sounds slow and sloppy and shriekingly out of tune.
.
- robcat2075
- Posts: 1340
- Joined: Mon Sep 03, 2018 2:58 pm
Re: Historically Un-informed Performance
BTW, that concert was 100 years ago today.
How far we've come... to get back to the past!
How far we've come... to get back to the past!
Wanda Landowska was famous with her full metal jacket harpsichord. I think this is the sort that Le Tromboniste is referring to...LeTromboniste wrote: ↑Sat Apr 02, 2022 3:26 am Probably not a "fake" harpsichord but an early 20th century one, build using a piano steel frame, often with pedals. Very different from historical instruments of course, but the norm until about the middle of the century.
-
- Posts: 3985
- Joined: Fri Mar 23, 2018 9:54 pm
- Location: California
Re: Historically Un-informed Performance
That was really hard to listen to!robcat2075 wrote: ↑Sat Apr 02, 2022 1:34 pm Here is the oldest recording of the #2 I find on archive .org
https://archive.org/details/l-1557-8-ba ... in-b-minor
An acoustic recording from 1924... only one flute! No harpsichord.
Hamilton Harty conducts "The Symphony Orchestra" with Robert Murchie, Flute.
To my ear, it sounds slow and sloppy and shriekingly out of tune.